个体意识与文艺的自觉——论魏晋风度兴衰的伦理动因  

Individual Consciousness and Self-conscientious of Literature and Art——the Ethical Motivation of Rise and Decline of Wei-jin Demeanor

作　　者：殷明明[1,2] 

机构地区：[1]安庆师范学院文学院,安徽安庆246133 [2]中国人民大学文学院,北京100872

出　　处：《燕山大学学报（哲学社会科学版）》2013年第3期76-80,共5页Journal of Yanshan University:Philosophy and Social Science

基　　金：安徽省社会科学规划项目"嵇康文学研究"(AHSKF09-10D61)

摘　　要：文艺在汉代已有了丰富的形式和技巧,但一般认为到了魏晋文艺才真正走向自觉。这和汉代文艺在观念上受到伦理政治的控制有关,士人在其时大多服膺于群体理想,尚无意于艺术的自觉问题。汉末以后,随着时局动荡,大一统的伦理政治趋于崩溃,群体意识衰微,个体精神得以凸显。对于士人,艺术也就从治国安邦的工具变为精神安顿的途径。当个体追求由精神逍遥转为世俗享乐时,文艺也就由魏晋的高蹈转为齐梁的靡丽。Literature and art had developed in Han dynasty, but it appeared self-conscientious at Wei-jin. The ethical control of Han dynasty was one of the reasons. In that era, the scholars had similar ethical ideal and state concept. To these scholars society was important, not the individual. In the end of Han dynasty, the ideal about society bankrupted, individual consciousness grew quickly. To scholars, literature and art were no longer instrument of state, they turned into a way for seeking spirit freedom and sensual pleasures.

关 键 词：个体意识 文艺的自觉 整体主义 魏晋 齐梁 

分 类 号：I206.2[文学—中国文学]