论《大唐秦王词话》的空间叙事结构——兼与三礼之关系  

On the Spatial Narrative Structure of Da Tang Qin Wang Ci Hua, and Its Relationship with Three Rite Books

作　　者：韩洪波[1] 陈安梅[1] 

机构地区：[1]扬州大学文学院,江苏扬州225002

出　　处：《井冈山大学学报（社会科学版）》2013年第4期119-124,共6页Journal of Jinggangshan University(Social Sciences)

基　　金：江苏省普通高校研究生科研创新计划项目"从变文到说书的文体流变研究"(项目编号:CXLX11_0989);江苏省普通高校研究生科研创新计划项目"中国说唱文学在日本的传播研究"(项目编号:CXZZ12_0885)

摘　　要：《大唐秦王词话》重视空间叙事的展开,相对忽视时间的具体化,在空间转换过程中,突出了作为大唐国都的长安城的绝对政治地位,而且在叙事过程中采取"总叙——分叙"的叙事策略,这与三礼叙事以"惟王建国"为绝对中心引领全书间架、层层分级、从总到分的叙事程序有密切的关系。这种叙事结构体现了作者尤其是深受中国传统文化浸润的文人修订者在对《大唐秦王词话》斟酌损益过程中的别具匠心。In Da Tang Qin Wang Ci Hua （Legends of Prince Qin of Tang Dynasty） much attentions are paid to the spatial narrations rather the time specification. Through the spatial transitions the absolute political status of Chang＇an as capital of the Dynasty is foregrounded. The general-specific narrative strategy is highly related to the structures generally adopted in the three Rite Books which follow ＂prince deserving kingdom＂ and hierarchical principles. Such narrative structure tells the artistic considerations of the authors as traditional Chinese scholars.

关 键 词：《大唐秦王词话》 叙事 三礼 

分 类 号：I206.2[文学—中国文学]