玄言佛理交融:从支遁诗看东晋诗歌之新变  

Studying on New Changes of Poems Owing to the Blending of Metaphysics and Buddhismin in East Jin Dynasty Centering in Zhi Dun' s Poems

作　　者：张富春[1] 

机构地区：[1]河南师范大学文学院,河南新乡453007

出　　处：《北方论丛》2013年第5期16-20,共5页The Northern Forum

基　　金：2009年全国高等院校古籍整理研究工作委员会直接资助项目<支遁集校注>(编号:0928);2013年河南省哲学社会科学规划项目<支遁诗文校注及研究>;2013年河南省教育厅人文社会科学研究项目<支遁及其诗文研究>(编号:2013-GH-560)阶段性成果

摘　　要：自支遁诗开始,中国诗歌有了赞佛咏怀的新题材,中国佛教文学由此而兴。支遁咏怀、述怀诗,直接阮籍《咏怀》82首,但一反阮籍重在抒发"忧生之嗟",改写求佛向玄的淡泊情怀。支遁援佛入玄,促成玄学新变,其诗玄释交融。孙绰、许询等人的玄言诗创作深受支遁影响,东晋诗歌因之而变。支遁的即色游玄论,推动名士从游赏山水中体悟玄理,自然的山水成为审美的、体道的山水,山水诗因此生出清朗澄澈、明净空灵的神韵。Zhi dun firstly praised Buddha in his poems in the history of Chinese poetry and the Chinese Buddhist Literature had been grown up since then. Zhi Dun＇ s lyrics carried on Yuan Ji＇ s Yong Haai Shi but changed the emotion of caring for the human fate and expressed his quiet emotion admiring Buddha and metaphysics. Zhi Dun＇ s poems blended Metaphysics and Buddhism and influenced Sun Chuo and Xu Xun etc. Zhi dun＇ s theory on JiSeYouXuan pushed the learned celebrities to visit and appreciate the scenery with hills and waters and realize theory on metaphysics from these activities. So the scenery with hills and waters became their poems＊contents. The mountains and water became an aesthetic object.

关 键 词：东晋 玄释交融 玄言诗 山水诗 

分 类 号：I207.22[文学—中国文学]