方回诗学思想与晚年趣味  

Fang Hui' s Poetic Thought and Poetry Interest in Old Age

作　　者：陈博涵[1] 

机构地区：[1]北京师范大学文学院,北京00875

出　　处：《北方论丛》2013年第5期21-25,共5页The Northern Forum

基　　金：教育部人文社会科学重点研究基地2011年度重大研究项目<宋金元文艺思想史>(编号:11jjd750009)阶段性成果

摘　　要：方回的诗学思想具有鲜明的江西诗派特征,他的"格高论"与"一祖三宗"说,有力回应元初南方文坛的复古思潮,在革新诗弊,确立诗歌典范方面,具有重要意义。方回诗学趣味的转移,受益于理学思想的沾溉,其晚年推重诗歌自然天成之美,体现出折中"格"与"韵"的努力,并以此重新确立新的诗歌风尚。这种诗学趣味表明,无论是天才高妙的诗人,还是学力精严的诗人,他们都渴望诗歌创作的自然与新奇之美。As a member of Jiangxi School of poetry, Fang Hui~ poetic thought had a great significancet, in innovation of poetry disadvantages and established the poetry model, in south at the beginning of Yuan Dynasty. He liked nature of poetryin old age, be- cause influenced by Confucianism of SongDynasty, therefore, he established a new poetry style, compatible with the ＂Ge＂ and ＂Yun＂ in his poetic. This indicates that, no matter what kind of poet aspire to the natural beauty and novelty of poetry art.

关 键 词：方回 诗学思想 宋元 江西诗派 

分 类 号：I207.22[文学—中国文学]