“戏”说革命: “反历史主义”戏改倾向及其文艺阐释系统再考察  

Revolution and Chinese Opera: “Anti-historicism”Tendency of Opera Reform and Its Literary Interpretation System

作　　者：张炼红[1] 

机构地区：[1]上海社会科学院文学研究所

出　　处：《社会科学》2013年第10期174-182,共9页Journal of Social Sciences

基　　金：国家社科基金项目"中国大众文艺改造运动专题研究"(结项证书号:20100807)的阶段性成果

摘　　要："新中国"戏曲改革运动对于重塑民族国家理想、变革政治文化体制、建构人民主体形象等具有标志性和寓言式的历史蕴涵。在有关"反历史主义"的戏改倾向及其大讨论中,国家政治意识形态本身所含的诸多要求之间彼此牵掣而产生的种种张力与制约,即通过政策实践、文艺批评、讨论乃至批判等文化生产机制来发挥其内部新陈代谢的自我调控功能。这也就是主导着旧剧改造及其文艺阐释系统的意识形态威力与限度之所在。The opera reform movement of the new China is symbolically and allegorically significant in rebuilding national ideal, transforming political and cultural system, and constructing the subjectivity of the people in history. During the debate over the ＂anti-historicism＂ tendency of opera reform, various tensions and constraints emerged within the national political ideology play their functions of self- regulation through cultural production mechanism, i. e. policy practice, literary criticism and critique. As the new superseding the old, we can figure out the power and the limits of the ideology that dominates the old opera reform and the relevant literary interpretation system.

关 键 词：新中国戏曲改革运动 国家政治意识形态 文艺阐释系统 

分 类 号：I206.7[文学—中国文学]