终结过程中的裂变与新生——新世纪乡土小说中的农民形象综论  

Fission and Regeneration of Chinese Peasants: An Overview of Peasants' Image in New Century's Local Color Fiction

作　　者：李兴阳[1] 

机构地区：[1]南京大学文学院

出　　处：《南京师大学报（社会科学版）》2013年第5期153-160,共8页Journal of Nanjing Normal University(Social Science Edition)

基　　金：江苏省社科基金项目"新世纪乡土小说与中国农村变革研究"(09ZWB002)阶段性成果

摘　　要：新世纪乡土小说中的农民形象,可以概略地分为"流动农民"、"在乡农民"和"乡村知识分子"等三大类。由于社会活动特别是经济活动的社会空间场域不同,三类农民卷入中国农村变革大潮的现实遭际与个人体验有很大的差异,出现了前所未有的历史分化。在现代性获得过程中,农民文化人格的裂变与精神结构的新旧杂陈,比任何历史时期都要激烈而复杂,其历史命运也将迥然有别。具有历史过渡性特征的农民形象的出现,既是新世纪中国社会加速转型的历史产物,也是新世纪乡土作家以各自不同的价值取向、道德选择和艺术洞察力,捕捉历史机缘,透析农民文化人格裂变的艺术创造与乡村想象。The peasants in local color fiction in new century fall into three categories： the migrant peasants; the peasants staying in the countryside; and the rural intellectuals. Because they live in different social spaces which are determined by their social activities in general and by their economic activities in particular, peasants of these different types undergo unprecedentedly different fate and experience in the transformation of rural China. In the process of acquiring modernity, the fission of the peasants＇ cultural personality and spiritual structure is more intense and complex than ever. Their image characterized by a historical transition is the result of the transformation of Chinese society. It is also created and pictured by local writers in the new century in line with their own value orientation, moral choice and artistic insight, who try to seize the historical opportunity and analyze the fission of the peasants＇ cultural personality.

关 键 词：新世纪乡土小说 农民形象 文化人格 裂变 新生 

分 类 号：I207.42[文学—中国文学]