论陶渊明《形影神》思想的复杂性  

On the Complexity of the Thought in Image and Spirit by Tao Yuan-ming

作　　者：李小荣[1] 侯艳[2] 

机构地区：[1]福建师范大学文学院,福建福州350007 [2]钦州学院学报编辑部,广西钦州535000

出　　处：《钦州学院学报》2013年第7期11-15,共5页Journal of Qinzhou University

基　　金：福建省社科规划基金项目:佛道并兴与陶渊明诗文创作(2010B108)

摘　　要：《形影神》是陶渊明思想中最复杂的作品,其复杂性表现在两个方面:一是思想来源复杂;二是思想表现复杂。二者都与道家、道教甚至佛教有着密切的联系。Image and Spirit,the thought of which is the most complicated one in all the works of Tao Yuan-ming.Its complexity refers to two aspects,one is complicated thought source,the other is complex ideas,both of which are closely related to Taoism and Buddhism.

关 键 词：陶渊明 《形影神》 儒家 道家 佛教 

分 类 号：I206.2[文学—中国文学]