中国艺术批评史理论与方法的建构  

A Monograph Filling in the Gap of Chinese Art Criticism History:Review of "The Critical History of Chinese Art"

作　　者：吴衍发[1] 

机构地区：[1]东南大学艺术学院,江苏南京211189

出　　处：《西安文理学院学报（社会科学版）》2013年第5期13-16,共4页Journal of Xi’an University(Social Sciences Edition)

基　　金：教育部人文社会科学研究规划基金项目"唐宋转型和艺术批评思想的嬗变"(11YJC760029)的阶段性成果

摘　　要：凌继尧先生主编的《中国艺术批评史》系统地阐述了从先秦到近代我国艺术批评思想发展的历史,从理论上和方法上为艺术批评和学科发展提供了成功的范式,构成了艺术批评研究的奠基文献,填补了中国艺术批评史的空白。作为我国第一部中国艺术批评史著作,该书对促进我国艺术学的进一步繁荣,推动我国高等艺术教育和人才培养的进一步发展,具有非常重要的现实意义。＂ The Critical History of Chinese Art＂, Prof. Ling Jiyao＇s new book, elaborates systematically the development history of art critical thought from pre - Qin to modern. It provides successful mode for art critic and discipline development, constitutes fundamental collections of art critic researches, and fills in the gap of Chinese art criticism history, in theory and method. As the first book of history of Chinese art criticism, it has the vital practical significance for promoting general art science further prosperous, impelling higher art education and development of training.

关 键 词：《中国艺术批评史》 理论和方法 价值和意义 凌继尧 

分 类 号：J02[艺术—艺术理论]