历史话语与虚构的后现代结合——从历史编纂元小说的视角解读《女勇士》  

A postmodern combination between historical discourse and fiction——An interpretation of The Woman Warrior from the perspective of historiographic metafiction

作　　者：黄玉虹[1] 

机构地区：[1]福建农林大学文法学院,福建福州350002

出　　处：《福建农林大学学报（哲学社会科学版）》2013年第4期108-112,共5页Journal of Fujian Agriculture and Forestry University(Philosophy and Social Sciences)

基　　金：福建省教育厅社会科学研究资助项目(JB12084S)

摘　　要：汤亭亭的《女勇士》打破传统自传的写作模式,将历史语境与元小说相结合,呈现出历史编纂元小说的特征。通过对中国历史文化人物的创造性改编以及对小说虚构性的有意暴露,《女勇士》挑战了历史叙事的真实性和权威性,指出历史不应成为现代人的桎梏,为身处两种文化夹缝中的华裔美国人这一群体指明了出路。Maxine Hong Kingston＇ s The Woman Warrior breaks the stereotypes of traditional autobiography by combining historical contexts and metaficion, making itself a masterpiece of historiographic metafiction. The book creatively adapts historical figures of Chinese source and exposes its fictivity on purpose, challenges the authenticity and authority of historical discourse and claims that modem people should not be hindered by history, which can serve as a guide for Chinese Americans who are trapped between two different cultures.

关 键 词：汤亭亭 《女勇士》 历史编纂元小说 后现代主义 

分 类 号：I106[文学—世界文学]