藏族传统美术程式化管窥  

A Brief Introduction of Patterns of Tibetan Traditional Fine Art

作　　者：土旦才让[1] 

机构地区：[1]青海师范大学民族师范学院,青海西宁810008

出　　处：《青海师范大学学报（哲学社会科学版）》2013年第4期85-88,共4页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

摘　　要：藏族传统美术的程式化是对现实生活中的客观自然物象和各种人物特征按照美的原则予以提炼、概括、夸张、变形,创造出具有规范化特征的符号形象。具体表现在形象造型、画面组织、色彩设置等方面,是一种高度成熟、相对完整而又符合形式美规律的艺术语言。它成就了佛像的"庄严妙相",美化了西藏佛画的造型样式,出色地完成了服务宗教的职能,是藏族传统美术技法体系的完整体现。Patterns of Tibetan traditional fine art are to refine, summarize, exaggerate, change shapes to real objects and all kinds of character feature according to principles of beauty and creation a standard symbol of imagery. Patterns specifically show in imagery mold making, frame organization, color setting etc. It is a highly matured,respectively integrated and conform to the beauty of shape.

关 键 词：藏族传统美术 程式化 特征 

分 类 号：J19[艺术—艺术理论]