从微电影之“微”看“微美”的兴起  

On the Rising of Micro Aesthetics from the Perspective of Microfilm

作　　者：高红樱[1] 

机构地区：[1]天津财经大学人文学院,天津300222

出　　处：《河北工业大学学报（社会科学版）》2013年第3期36-42,共7页Journal of Hebei University of Technology：Social Sciences Edition

摘　　要：当今时代,微小说、微电影、微访谈、微小品、微信、微博、微视频风生水起,"微文化"悄然崛起,具有即时性、暂时性、幽默性、角落性、批评性、都市性、实验性等特点,一个"微文化"的时代到来了。微,正在成为一种美学潮流,它以网络平台为土壤,以新媒体为传播媒介,因其技术手段的大众化而成为中国人精神史的当代构成。本文在美学的关照下,在新媒体语境中,以微电影为例,从"微"的审美特点出发指出微所包含的微小、微妙、精微、细微、隐蔽、微服的含义分别指向微电影的时长、主题、美学意象、细节、支流、大众这样的审美特征,而微的这些美学特征与微雕、盆景、书法、禅宗、工笔画这些传统艺术有着异曲同工之处。笔者首次提出"微美"和壮美、优美一样,已经成为一个新的美学范畴。而新媒体语境下的微文化如果能够吸收传统微艺术的美学精髓,延续传统微艺术的美学追求,并确立符合其自身特征的审美精神,微美学将会被写进美学教科书。Today, hint fiction, microfilm, micro-interview, micro-operculum, We Chat, micro-blog and microvideo are everywhere. Micro-culture with the characteristics of instantaneity, humor, marginality, critique and experiment is emerging. Micro is becoming a kind of aesthetic trend, which roots in network platform, transformed by new media, and constructs the spiritual history of Chinese people. Under the guidance of aesthetics and the context of new media, this paper has located the aesthetic characteristics of microfilm. At the end of this article, the author suggests a new aesthetic category-Micro-Aesthetic.

关 键 词：微电影 微美学 微艺术 美学范畴 

分 类 号：B835[哲学宗教—美学]