中韩诗歌的手工艺术美探究——以卞之琳和郑芝溶的诗为例  

Study of the Manual Artistic Beauty in Poetry of Chinese and Korean——Taking Bian Zhi-lin's and Chong Chi-yong's Poetry as an example

作　　者：严红花[1] 

机构地区：[1]淮海工学院外国语学院,江苏连云港222005

出　　处：《延边大学学报（社会科学版）》2013年第5期60-65,共6页Journal of Yanbian University：Social Science Edition

基　　金：江苏省教育厅2012年度高校哲学社会科学研究基金项目(2012SJB750002)

摘　　要：诗歌的手工艺术是诗人头脑、知性和感性三合一的结晶。强调知性并统一感性的主知主义在诗歌创作中尤为重视技巧的作用。卞之琳和郑芝溶作为中韩各具特色的主知派代表人物因曾受英美现代主义,尤其是T.S.艾略特的影响,在诗歌创作中有着异曲同工之处,如复合意象的理性塑造,生活用语的诗化表现及诗歌结构的稳健革新等。卞之琳和郑芝溶诗歌创作技巧体现了两人共同的创作理念。Manual artistic beauty is the combination of a poet＇s mind, understanding and percep- tion. Intellectualism emphasizes understanding, unifies perception, and attaches importance to skills in poetry creation. Influenced by British and American Modernism, esp. by T.S. Eliot＇s poems, Bian Zhi-lin, Chinese intellectualist, and Chong Chi-yong, representative of Korean intellectualism, have different approaches but equally satisfactory results in creating their poems. For example, both of them mould the composite images rationally, poeticize everyday expressions and reform the structure of poetry. The skills used by the two poets show that they share the common ideas in poem creation.

关 键 词：中韩诗歌 卞之琳 郑芝溶 主知主义 复合意象 手工艺术 

分 类 号：I106.2[文学—世界文学] I0-03