论20世纪中国的文学经典流变  

On Evolution of Chinese Literary Canon in 20th Century

作　　者：苏琴琴[1] 

机构地区：[1]黄冈师范学院文学院,湖北黄冈438000

出　　处：《浙江师范大学学报（社会科学版）》2013年第5期45-51,共7页Journal of Zhejiang Normal University(Social Sciences)

基　　金：黄冈师范学院博士基金项目"<红楼梦>经典化过程探究"(2012028703)

摘　　要：在中国,文学经典危机作为一种历史文化现象早在20世纪初就已出现,并贯穿整个20世纪。一方面,不同历史阶段出现的文学经典危机各具时代特点,另一方面,各阶段的文学经典危机话语又互为交织。"五四"文学革命以启蒙救亡为中心掀起了除旧革新的第一次经典重估;建国后为配合国家政治需要,以社会主义革命话语为中心自上而下进行了第二次经典重估;80年代后期出于对文革"拨乱反正"之文化需求,"重写文学史"拉开了第三次经典重估的序幕;而90年代前期出现的"大师重排座次"等事件则表明文学失去轰动效应后"众声喧哗"的第四次经典重估。通过回溯四次文学经典危机,追古烁今,以期为当前的中国文学经典问题研究提供一条历史线索。In China, the crisis of literary canon as a historical 20th century, and goes through the whole century. On one hand, and cultural phenomenon starts in the early the crises characterize their own historical backgrounds, and on the other, their expressions are intermingled. The ＂May 4th Movement＂ in 1919 witnes- ses a literary revolution that initiates the first revaluation of literary canon, centered by enlightenment and sal- vation of the Chinese nation. After the founding of P. R. China in 1949, the second and top - down revalua- tion takes place for political purposes, under the discourse of socialist revolution. In the late 1980s, the ＂re- writing of literary history＂ marks the third revaluation of literary canon for the purpose of cultural ＂rectifica- tion＂ of the Great Cultural Revolution （1966 -1976）. And the ＂re-hierarchizing of literary masters＂ in the early 1990s heralds the fourth revaluation that is characterized by ＂hubbubs＂ after literature loses its sensa- tional effect. A review of the four crises of Chinese literary canon in the 20th century provides a historical clue for the study of Chinese literary canon today.

关 键 词：文学经典 经典重估 文学革命 社会主义革命 重写文学史 大师重排座次 

分 类 号：I206.7[文学—中国文学]