原型批评视野下的电影文本分析——以《致我们终将逝去的青春》为例  

Analysis of Film Text in the View of Archetypal Criticism——Taking So Young as an Example

作　　者：陈闽璐[1] 

机构地区：[1]贵州师范大学文学院,贵州贵阳550001

出　　处：《铜仁学院学报》2013年第5期21-25,共5页Journal of Tongren University

摘　　要：电影《致我们终将逝去的青春》是赵薇导演的处女作,公映后取得极高的票房。观众在电影文本中找到自身在爱情中的"原型",并通过剧情投射到自身的成长经历,是这部电影取得成功不可忽视的心理因素。荣格认为,作家都是在集体无意识的驱使下进行文学创作的,而艺术作品具有永久的艺术魅力和旺盛的生命力的原因在于它表现了原型。原型帮助读者透过内容、形象各异的文学作品去挖掘更深层次的内涵,并跨越年代、地域的局限与创作者及作品中的人物产生共鸣。从原型批评理论出发,将为电影文本解读提供新的视野。So Young, the first film directed by Zhao Wei, sold well after it released to the public. The audience found their own love ＂prototype＂ in the film text, and through the plot the ＂prototype＂ was projected to their own experiences. This is a notable psychological factor that facilitates success of the film. Carl Jung believes that the collective unconsciousness drives writers to create, and the permanent artistic charm and exuberant vitality of works of art are due to the prototype. Prototype helps readers to dig out deeper connotations in literary works of various contents and images, to resonate with writers and characters in the works free of the limitations of time and place. Theory of archetypal criticism may provide a new perspective for interpretation of movie texts.

关 键 词：青春 爱情 原型 心理 

分 类 号：I207-351[文学—中国文学]