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作 者:李东晓[1]
出 处:《三门峡职业技术学院学报》2013年第3期74-76,80,共4页Journal of Sanmenxia Polytechnic
基 金:河南省社科联;河南省经团联调研课题(SKL-2011-1528)
摘 要:西方女性主义电影文本主题是丰富多样的,诸如表现女性在暴力侵犯下的激烈反抗、女性主体意识的觉醒、在追求自由与解放的过程中建立姐妹情谊以及对传统性别观念的超越等。这些电影中的女性大多不再局限于私人空间,她们都走出家庭投入到风云变幻的社会生活中去,在艰难的境遇中与命运抗争,为理想而奋斗,表现出鲜明的主体性。There is a variety of theme in the western feminist film texts, such as the women's fierce resistance when they are insulted or raped, the awakening of the women's subject consciousness, the sisterhood they shared each other in the course of seeking for their independence and liberty, the transcendence of the traditional gender ideas, etc. Most of the women in these films are no longer limited to the private space, they go out of the family and participate in the social activities, they struggle against the fate in an especially difficult situation for their ideal and establish their subjectivity.
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