在传统与后现代语境中发展中国化的马克思主义美学——评刘纲纪美学思想及石长平《实践本体论美学思想研究》  

DEVELOPMENT OF CHINA'S MARX AESTHETICS IN TRADITIONAL AND POST-MODERN CONTEXT Comment on the Aesthetic Thought of Liu Gangji and Shi Changping's "A Study on Aesthetics Practical Ontology"

作　　者：张弓[1] 

机构地区：[1]华东政法大学人文学院,上海201620

出　　处：《云梦学刊》2013年第5期24-27,共4页Journal of Yunmeng

基　　金：国家社科基金项目"‘后学’语境与马克思主义美学中国化"(11CZW017);华东政法大学重点学科建设项目"文化产业发展与管理研究"

摘　　要：石长平的《实践本体论美学思想研究》是关于刘纲纪美学思想研究的最新成果。它不仅揭示了刘纲纪美学思想发展的必然趋势是超越认识论美学而走向实践本体论美学,而且表明了这种发展趋势的前提条件是批判继承中国传统美学的非认识论倾向以及"后现代实践转向"的思想成果。刘纲纪的美学研究路径对于发展中国化马克思主义美学有着重要的现实启示意义。Shi Changping＇s A Study on Aesthetics Practical Ontology is the latest achievements of research on Liu Gangji＇s aesthetics. It not only reveals the inevitable trend of the development of Liu Gangji＇s aesthetics is beyond the epistemological aesthetics to practical ontological aesthetics, but also indicates the premise condition of this trend is the criticism and inheritance of Chinese traditional aesthetic tendency of non epistemology as well as the ＂ideological achievements of postmodern practice turn＂. Liu Gangji＇s aesthetics research path for the development of Chinese aesthetics of Marx has an important realistic significance.

关 键 词：刘纲纪美学思想 实践本体论美学 传统美学思想 后现代实践转向 

分 类 号：B83-06[哲学宗教—美学]