《激进的艺术》:一部对后现代文化阐释的经典作品  

Radical Artifice——A Classical Interpretation of Postmodern Culture

作　　者：江玉娇[1] 江雅丽[2] 

机构地区：[1]浙江师范大学外国语学院 [2]北京第二实验小学朝阳学校

出　　处：《外国文学研究》2013年第5期156-162,共7页Foreign Literature Studies

基　　金：教育部人文规划课题"中西诗学中‘共象’与‘异象’研究"【项目批号:09YJAZH092】的阶段成果

摘　　要："哲学的终结"、"批评的终结"、"艺术的终结",这是后现代主义批评家所关注的三个终极问题。大部分后现代主义学者用不同的方式认同这些观点,而玛乔瑞帕洛夫在著作《激进的艺术:媒体时代的诗歌创作》中,在梳理西方诗歌发展流变的同时,又借用诗歌的审美特性分析这些问题,认为它们并没有终结,而是"又一次先锋的激进艺术"的体现,其中就有诗歌创作对它们带来的积极影响:大众媒体诗性化、大众产品诗性化、诗学话语舞台化。＂The end of philosophy,＂ ＂the end of criticism,＂ and ＂the end of art＂ are three most concerned questions for postmodernists, most of whom accepted the conclusions though they explained them from different perspectives. However, Marjorie Perloff definitely denies the three conclusions in Radical Artifice： Writing Poetry in the Age of Media, arguing that philosophy, criticism, and art have not come to an end, on the contrary, this is another reflection of ＂the radical artifice of the Avant Garde,＂ which exhibits the positive influence of poetry： poeticizing the mass media and the mass products, and performing the poetry discourse.

关 键 词：《激进的艺术 媒体时代的诗歌创作》 后现代文化 诗性化 

分 类 号：I106.2[文学—世界文学]