禅悦与审美:宋代文人的心灵安顿——以宋祁禅悦诗的考察为中心  

Zen Delighting and Beauty Enjoying: The Perch of the Scholars' Soul in Song Dynasty,Centralized by Explanation of Song Qi's Zen Delighting Poems

作　　者：赵德坤[1] 

机构地区：[1]宜宾学院文学与新闻传媒学院,四川宜宾644007

出　　处：《宜宾学院学报》2013年第9期50-54,共5页Journal of Yibin University

摘　　要：宋仁宗朝诗人宋祁,在居士禅盛行的时代,其作品呈现出明显的禅悦倾向。北宋政府对佛教限制性利用的政治态度是这种倾向赖以形成的文化语境;奉儒作吏的宋祁,受到时代风气的浸熏,其禅悦意识渗入到诗歌创作中来,表现出当时居士禅的文化意义:禅悦与审美——宋代文人的心灵安顿之途。Song Qi was a poet during Emperor Renzong of North Song Dynasty. His poems had an obvious tendency of Zen in the prevailing Jushi Buddhist era. The cultural context on which was forming was the Northern Song Dynasty government political attitude of restrictive use towards Buddhism. Song Qi as a Confucianism official immersed the mood of the times. So his Zen consciousness permeated poetry creations, showing the Zen Buddhist cultural signifi- cance, namely joy of Zen and aesthetic, that is Song Dynasty scholar＇s soul settle way.

关 键 词：宋祁 禅诗 居士禅 审美 

分 类 号：I207.22[文学—中国文学]