主体·自我·他者——论拉康欲望理论的诗学建构  

Subject,Self and Other:the Poetic Construction of Lacan's Theory of Desire

作　　者：耿潇[1] 

机构地区：[1]中南民族大学外语学院,湖北武汉430074

出　　处：《北京航空航天大学学报（社会科学版）》2013年第5期88-91,共4页Journal of Beijing University of Aeronautics and Astronautics：Social Sciences edition Edition

基　　金：中央高校基本科研业务费专项资金资助项目(CSQ11050);中南民族大学重点研究项目(XTS10001)

摘　　要：欲望是文学作品所反映的一个重要主题。剖析文学中欲望这一主题时易过于注重社会环境和意识形态等外部因素的作用,而忽略了作家创作和小说中人物言行的心理动因。后精神分析学家雅克·拉康的欲望理论提出"人的欲望是他者的欲望",不仅揭示了人类生存困境的根本原因,也有利于挖掘其社会言行潜在的心理动力。这一理论在一定程度上进一步打通了文学研究与精神分析学之间的学科界限,符合文学研究"内倾向"转变的大趋势,为跨学科的外国文学研究提供了有效的途径。Desire is one of the most important subjects in literature. Studies of desire in literature tend to overempha- size such external determinants of the social circumstances, and ignore the psychological dynamics of writer＇s process of creation and character＇ words and deeds. The theory of desire put forward by the psychoanalyst Jacques Lacan not only helps to reveal the fundamental roots for the predicament of human existence, but also explores the psychological dynamics for their social behaviors. It further breaks the traditional border between the disciplines of psychology and follows the tendency of ＂introverted＂ orientation in the field of literary research; it thus provides an effective way for the interdisciplinary studies of foreign literature.

关 键 词：拉康 欲望理论 身份危机 自我建构 

分 类 号：I054[文学—文学理论]