超克二元对立的知觉现象学批评展呈——以梅洛-庞蒂对于塞尚绘画的解读为例  

A Criticism of Perceptive Phenomenology from the Perspective of Contemporary Binary Opposition

作　　者：贾玮[1] 

机构地区：[1]重庆师范大学文学院,重庆400047

出　　处：《新疆大学学报（哲学社会科学版）》2013年第4期101-104,共4页Journal of Xinjiang University(Philosophy and Social Sciences)

基　　金：2010年教育部人文社科青年项目"梅洛-庞蒂现象学美学研究"(10YJC751036);重庆师范大学博士基金项目身体美学研究"(11XWB007)

摘　　要：法国哲学家梅洛-庞蒂对于"存在"的追问,最终受阻于这一"沉默经验"的难以言说。通过对于绘画,特别是以塞尚为代表的现代主义绘画的还原分析,庞蒂指出绘画能够展示"存在",即"世界肉身"的涌动与绽裂,由此我们深入了历史沉默的内里,"历史现象学"成为可能。The expression about ＂the silent experience＂ is so difficult that, Merleau-Ponty, the French philosopher, has to resort to artistic forms to express ＂Sein＂-＂La chair＂. Based on the researches and the retrospective analyses on the modernist art represented by Cezanne, Ponty points out that modernist art could display ＂Sein＂, the surging and splitting of ＂the physical body＂. In accordance with Ponty＇s findings, we could obtain access to the inside of the historical silence, thus rendering ＂historical phenomenology＂ a possibility

关 键 词：世界的肉身 现代主义绘画 塞尚 历史的延续性 

分 类 号：I106[文学—世界文学]