文化变革中的《诗》学理念——兼论孔颖达《诗》学的范式意义  

The Concept of Poetics in the Era of Cultural Change:Model Significance of Kong-yingda's Poetics

作　　者：郑伟[1] 

机构地区：[1]山西大学文学院,山西太原030006

出　　处：《山西大学学报（哲学社会科学版）》2013年第6期46-50,共5页Journal of Shanxi University(Philosophy and Social Science Edition)

基　　金：教育部人文社科基金项目"<毛诗大序>接受史研究"(09YJC751055);国家社科基金项目"郑玄诗学及其范式意义研究"(11CZW007)

摘　　要：孔颖达《诗》学建构以诗人预政、救世为宗旨,建立在"诗述民志"、"赋法"论与"兴象"论的基点之上。其《诗》学上承六朝儒学之弊,试图激活文学之道义担当;又顺应文化变革的形势,为之注入鲜明的时代性内涵,于唐代士人道义精神的塑造与唐代实践文学观的确立有着深刻的范式意义。With the aim of poets interfering in politics and salvaging the world, Kong yingda＇ s Poetics was based on such three starting points as ＂public aspiration orientedness＂, ＂direct narrative＂ and ＂metaphor＂. Following the academic malpractice of confucianism in preceding dynasties, his poetry not only activated the literary tradition of the morality and justice, but also had its own distinctive characteristics in the era of cultural change. He played an important role in shaping the intellectual spirit and establishing the realism paradigm in Tang Dynasty.

关 键 词：孔颖达 诗缘政作 民本 赋法 兴象 士人精神 

分 类 号：H09[语言文字—语言学]