华裔女作家认同困境的背后--从伊芙琳·刘的《逃跑》看主体建构的异质性  

Behind the “Ethnic Dilemma” of Asian Canadian Woman Writer: the Subjectivity in Evelyn Lau's Runaway: Diary of a Street Kid

作　　者：许巍[1] 

机构地区：[1]杭州师范大学外国语学院,浙江杭州310036

出　　处：《英语研究》2013年第3期43-47,共5页English Studies

基　　金：浙江省教育厅科研项目(项目编号:Y201225139)的阶段性成果之一

摘　　要：加拿大华裔女作家伊芙琳·刘的成名作《逃跑》使作者自己陷入"族裔困境"中,其主要原因是外界的解读框架限制了文本存在的意义。通过自传体日记,伊芙琳重申"消解中心"的话语,在女主人公身上建构了两个主体意识,即"逃跑者"和"妓女",呈现了一个多样的、矛盾的、不连贯的主体"我",动摇了传统的身份认同和社会秩序。这种文学实践使加拿大主流社会、华人社团和伊芙琳个人之间的关系变得复杂,为有关族裔作家的作品责任的争议提供了学术讨论的空间。Literary critics as well as the public tend to read Evelyn Lau’s Runaway： Diary of a Street Kid in terms of identity such as ＂Asian-Canadian＂ and ＂Multicultural＂.The interpretative framework could be not adequate to explore the story of Runaway per se,thus plunging Evelyn Lau into so-called ＂ethnic dilemma＂.It should be explored that the work has the deviant representations of the subjectivity which are meant to disturb the very identity and order in the postmodern sense.This literary endeavour complicates the relationship between dominant Canadian society,Chinese community and Evelyn Lau herself,providing a forum for discussing the responsibility of the ethnic author towards his/her writing.

关 键 词：族裔困境 主体意识 逃跑者 妓女 

分 类 号：I711.074[文学—其他各国文学]