论博尔赫斯元小说的写作策略和类型  

On the Writing Strategies and Types of Borges' Metafiction

作　　者：王钦峰[1] 

机构地区：[1]湛江师范学院文学院

出　　处：《学术研究》2013年第10期152-158,160,共7页Academic Research

基　　金：广东省哲学社会科学规划项目"博尔赫斯精神"(09K-07);教育部人文社科规划项目"多元文化语境下的博尔赫斯研究"(12YJA752025)的阶段性成果

摘　　要：博尔赫斯的元小说既有暴露作家自我意识和创作自省的元小说共性,也有突出的个性和独创性,是元小说中的异类。其独创性表现之一,是综合使用各种互文手段及后退式思维逻辑,以加强对于作家自我意识的提炼和挖掘,把元小说转变成一种立体化艺术。其独创性表现之二,是形成多个层级与类型,并在文学史上首创书评小说这一元小说变种。书评小说凭借文体含混和对论文形态的盗用,打破了一般元小说中虚构与反虚构的平衡,最大限度地远离了模仿性叙事,强化了作家的文学自省,把元小说艺术推向了以假乱真的极致。With the distinctive personality and originality, as well as the commonness of exposing the author 's selfawareness and selfreflection in metafiction, Borges' s metafictions are a heterogeneous type of metafiction. One of its original performance is its integrated use of various means of intertext and the logic of countermarching thinking to enhance the writer's refining and mining for selfawareness, so as to bring metafiction into a kind of tridimensional art. The second performance of its originality is its multiple levels, ratings and types, and the first creative evolution from the selfreflexive metafiction to the bookreview fiction in the literary history. As a variant of metafiction, and by using the ambiguous style and stealing the form of essay, bookreview fiction breaks the equilibrium between fiction and antifiction in general metafiction, keeps away from the imitative narrative to the maximum extent, strengthens the literary selfreflection of writers, and pushes the art of metafiction towards the extreme mixing the spurious with the genuine.

关 键 词：博尔赫斯 元小说 书评小说 写作策略 层级 

分 类 号：I783.074[文学—其他各国文学]