诗性语言的散文体叙事——大江健三郎《水死》论  

Poetic Language in Prose Fiction Narration——Kenzaburo Oe′s Latest Work Water Death

作　　者：霍士富[1] 

机构地区：[1]西安交通大学外国语学院,陕西西安710048

出　　处：《外国文学》2013年第6期62-69,158,共8页Foreign Literature

摘　　要："水死小说"是大江健三郎早在70年代就已着手、但因创作技法"不够娴熟"而一直未能完成的搁浅之作。时隔四十年后,他"终于确信自己有能力复原父亲之死真相",于是以母亲在"红色皮箱"里保存的有关父亲生前的资料为线索,完成了他"晚年工作"的集大成《水死》。本文从诗性语言的散文体叙事切入,经分析发现,《水死》不仅在叙事技法上进行了革新,而且在主题表现上有了很大突破,是一部洞察大江"晚年工作"射程的杰作。Kenzaburo Oe commenced the novel entitled Water Deathin the 1970s,but he left it incomplete due to the immature techniques.After a lapse of four decades he was convinced'that he was able to rehabilitate the truth of his father′s death.'Therefore he accomplished the culmination work of his'late years,' Water Death,with the materials kept by his mother in a'red leather suitcase'about his father during his lifetime.This essay has made a thorough and profound exploration of Water Deathfrom the perspective of poetic language in prose fiction narration.It reveals that Kenzaburo Oe not only renovated the narrative techniques while writing Water Death,but he also made a breakthrough in his representation of themes,which proves that Water Deathis a masterpiece of Kenzaburo Oe′s'late years′work.'

关 键 词：大江健三郎 《水死》 时代精神 寓意和隐喻 反讽 互文性 

分 类 号：I313[文学—其他各国文学]