元代杨维桢“情性论”诗学研究  

Study on Poetics in “Character Theory” by YANG Wei-zhen in the Yuan Dynasty

作　　者：高杨[1] 

机构地区：[1]中国传媒大学,北京100024

出　　处：《阅江学刊》2013年第5期145-148,共4页Yuejiang Academic Journal

摘　　要：杨维桢的"情性论"诗学是元代诗学的一个重要的表现形态,其形成与元代独特的经学背景密切相关。元代经学在主体性转向上迈进了一大步,这对元代诗论的影响表现在哲学化和注重自我两个方面。杨维桢的"情性论"诗学对于诗歌的本质和功能进行了个性化的阐释,这既继承了中国古代诗学"诗言志"的传统,又综合了魏晋以后的"诗缘情"的艺术观念。杨维桢诗学的美学追求以对人的生命的本性认知为基础,并结合儒、释、道等文化精神,形成了独特的人格精神和艺术风貌。YANG Wei-zhen＇s ＂character theory＂ poetics is an important manifestation of poetics of the Yuan Dynasty and its formation is closely related to unique background of ＂ Jing Xue＂ （a theory which studied the culture of Confucianism） in the Yuan dynasty. ＂Jing Xue＂ of Yuan Dynasty made a big step forward on the basis of that of Song Dynasty, which had an impact on the self-aspects and philosophy of the poetics of the Yuan dynasty. YANG Wei-zhen＇s ＂character theory＂ poetics made a personalized interpretation of the nature and functions of poetry, which not only inherited the poetics, but also integrated ＂poetry expressing feelings Wei-zhen＇s ＂character theory＂ poetics is based on the ＂poetry showing ambition＂ tradition of ancient Chinese ＂ artistic concepts of the Wei and Jin Dynasties. YANG pursuit of nature of human life and combined with Bud- dhism and Taoism culture. Besides, it developed a unique personality and artistic style in the process of com- munication and artistic creation.

关 键 词：元代诗学 杨维桢 情性论 哲学化 注重自我 

分 类 号：I207.22[文学—中国文学]