融合现实关怀的诗艺追求——从《马来亚》看杜运燮对奥登诗歌技巧的借鉴  

On Du Yunxie's Reference to W. H. Auden's Poetic Techniques from Malaysia

作　　者：邵朝杨[1] 

机构地区：[1]广东技术师范学院外国语学院,广东广州510665

出　　处：《海南师范大学学报（社会科学版）》2013年第9期109-113,共5页Journal of Hainan Normal University(Social Sciences)

基　　金：教育部人文社科青年基金项目(11YJC752016);广东省教育厅高校创新人才培育项目(WYM08029)成果

摘　　要：英国诗人奥登对九叶派诗人杜运燮的诗歌创作影响深远。《马来亚》是杜运燮在1940年代创作的一首描写马来亚人民反法西斯、反殖民统治的诗歌,该诗在叙述角度、诗歌结构和语言技巧等方面借鉴了奥登的《西班牙,1937》,客观地呈现了正发生的政治事件,智性地表达了诗人对重大事件的思索和情感,加强了对新诗艺术深度的探索。《马来亚》一诗表达政治和情感的方式,对40年代中国新诗的健康发展起到了借鉴的作用。English poet Auden had a far-reaching influence on the poetic writing of Du Yunxie, a poet of the Jiuye （Nine Leaves） School. Du＇ s poem Malaysia, written in the 1940s, describes Malaysians fighting against fascism and colonialism. By referring to Auden＇ s Spain 1937 in terms of the narrative perspective, the poetic structure, and the language skills, Du＇ s poem Malaya succeeded in depicting objectively ongoing political events and in voicing sensibly the poet＇ s consideration and emotions on important events, thereby having reinforced the probe into the depth of new verse art. The way of expressing politics and emotions in Malaya is of reference significance for the wholesome development of Chinese new poetry in the 1940s

关 键 词：奥登 杜运燮 《西班牙  1937》 《马来亚》 

分 类 号：I207.22[文学—中国文学]