伯克受众观的后现代性解析  

On Postmodernism in Kenneth Burke's Perspective of the Concept of Audience

作　　者：鞠玉梅[1] 

机构地区：[1]曲阜师范大学

出　　处：《中国外语》2013年第4期51-54,共4页Foreign Languages in China

基　　金：国家社科基金项目"伯克修辞学思想研究--兼论汉英修辞学思想的差异"(批准号09BYY068)的阶段性成果之一

摘　　要：对受众的研究是多个学科关注的问题,比如传播学、交际学、心理学、修辞学等都将受众纳入其研究领域。对受众的考察历来都是西方修辞学研究的一个重要课题。受众这一概念在西方修辞学研究的不同历史时期被赋予了不同的观念。本文试图从20世纪美国新修辞学代表人物肯尼斯·伯克的关于"自我作为受众"的观念出发,探索受众的当代阐释,并通过与西方古典修辞学受众概念的比照,进一步考察受众概念的传统消解和全新重构。The concept of the audience has attracted the attention of a number of disciplines, such as communication studies, psychology and rhetoric. It has always been the focus of study for western rhetoric. Scholars gave different definitions at the different stages of the development of the research of rhetoric in western academic history. This paper attempts to start from Kenneth Burke＇s concept of ＂self as audience＂ to interpret the meaning of ＂audience＂ at present and to further explore the new anti-traditional interpretation of the concept of audience through the comparison with western classical rhetorical theories.

关 键 词：肯尼斯·伯克 受众 后现代性 

分 类 号：H05[语言文字—语言学]