影视剧艺术创作规避虚假的叙事谋略研究  

Narrative Strategy to Avoid the Illusory in Movie and TV Play Creation

作　　者：康尔[1] 

机构地区：[1]南京大学艺术学院,江苏南京210093

出　　处：《艺术百家》2013年第6期97-100,264,共5页Hundred Schools In Arts

基　　金：2013年度国家社科基金艺术学一般项目"剧情片叙事策略研究"(项目编号:13BC028)阶段性成果之一

摘　　要：影视剧一旦涉嫌虚假、失真,观众将一票否决。可是,真实又是个太难界定、太难把握的概念,影视剧的主创时常为此而烦恼。其实,影视剧等叙事类作品,只需追求真实感,只需让观众感觉到作品中表述的一切像真的、似真的、是真的。影视剧主创的追求,不是哲学或史学意义上的真实,而是受众对于作品真实感的认同。规避虚假、营造真实感的叙事谋略有三:讲述不易较真的故事;巧用不便较真的手法;采用不容较真的风格。Once a movie or a TV play is suspected of being illusory, it would be voted down by the audiences. However, truth is a concept too difficuh to define and grasp. Therefore, main creators of movie and TV play are too much worried. Actually, narrative works only need to pursue the sense of truth so as to let the audiences feel that everything expressed here likes truth, and is as same as the and then is truth. What main creators pursue is not the truth in philosophical or historical sense, but a sense of troth acknowledged by the audiences. To avoid the illusory and build the sense of truth, there are three narrative strategies： to tell stories not easy to take seriously, to skillfully use techniques not convenient to take seriously, to adopt styles not allowed taking seriously.

关 键 词：影视艺术 艺术创作 影视剧 艺术作品 规避虚假 叙事谋略 

分 类 号：J90[艺术—电影电视艺术]