身体叙事和身体美学的跨文化实践——论云门舞集的结构与艺术风格  

Body Narration and Transcultural Practice of Body Aesthetics:Structure and Artistic Style of Yunmen Wuji

作　　者：林秀琴[1] 

机构地区：[1]福建社会科学院,福建福州350003

出　　处：《艺术百家》2013年第6期120-125,共6页Hundred Schools In Arts

摘　　要：台湾省现代舞蹈团"云门舞集"的影响力已经从舞蹈界蔓延到整个文化场域,也是文化全球化语境下当代最重要的文化现象之一。"身体"作为舞蹈最核心的语言,云门舞集对身体的美学与文化建构经历了"身体"的隐退、"身体"的彰显、"身体"的创造这一曲折过程,使舞蹈从历史与文化叙事的工具中解放出来,从而发展出属于身体自身的叙事。而对来自东西方两种不同的文化传统与审美资源的借鉴与使用,使云门舞集成长为一个携带着鲜明的美学风格与强烈的创作者理念的现代舞蹈团,它在跨文化实践上的探索为国际范围内的当代文化发展提供了重要的经验。As a modern dance troupe in Taiwan, Yunmen Wuji has been well known in dance circle and even culture circle; and it becomes one of the most significant cultural phenomena in cultural globalization context. As regards to the most core language ＂ body＂ in dancing, it experiences a zigzag course from hiding body, to highlighting body, and to creating body. This frees dance from historical and cultural narration, thus is good for developing its own narration. Its reference to different cultural tradition and aesthetics of eastern and western countries makes Yunmen Wuji to become modern dance troupe with a distinctive aesthetic style and a strong creator＇s conception. Its trancultural practice provides an important experience to worldwide contemporary cultural development.

关 键 词：艺术创作 演艺产业 云门舞集 林怀民 身体叙事 身体美学 跨文化 

分 类 号：J70[艺术—舞蹈]