纵情与节制:对汉族民歌体裁的再认识  

Being Untrammeled and Moderate: Re-recognition of Folk Song Genre in Ethnic Han

作　　者：陈新凤[1] 

机构地区：[1]福建师范大学音乐学院,福建福州350108

出　　处：《艺术百家》2013年第6期145-149,共5页Hundred Schools In Arts

基　　金：2008年度全国教育规划教育部重点项目"<中国民族音乐>的理论与实践"(项目编号:DLA080201)阶段性成果之一

摘　　要：在以往对汉族民歌体裁的研究中,多强调地理环境、社会历史及文化发展等方面对民歌的影响及作用,较少从音乐自律的角度出发进行探讨。本文认为,关注音乐自身的发展规律和创作手法,是民歌研究的一个重要观察点和有效补充。音乐思维观念、音乐表现功能以及音乐创作能力的发展,影响着民歌的风格及其表现方式。汉族山歌与小调体裁分野的依据,主要在于山歌偏"纵情"而小调讲"节制"。In past research of Folk Song Genre in Ethnic Han, scholars generally stressed the impact of geographical environment, and development of society, history, and culture on folk song of ethnic Han, but seldom discussed from the perspective of music law. In this paper, we propose that development law and creative technique of music itself is a significant observation point and effective complement of folk song study. The thinking conception, expressive function, and creative ability of music influence the style and representative ways of folk song. There are two genres of folk song of ethnic Han, untrammeled mountain song and moderate ballad.

关 键 词：音乐艺术 汉族民歌 艺术体裁 纵情 节制 山歌 小调 艺术作品 

分 类 号：J60[艺术—音乐]