从缠足风俗解析弓鞋装饰设计的形制流变  

Form Transformation of Bow Shoes from the Perspective of Feet Binding

作　　者：张竞琼[1] 李洵[1] 张蕾[2] 

机构地区：[1]江南大学纺织服装学院,江苏无锡214122 [2]南通纺织职业技术学院,江苏南通226007

出　　处：《艺术百家》2013年第6期177-181,共5页Hundred Schools In Arts

基　　金：教育部人文社科基金项目"近代民间服饰文化遗产中的传统工艺复原与传承"(项目编号:11YJA760090)阶段性成果之一

摘　　要：本文结合对于缠足风俗发展过程的梳理,将弓鞋的形制流变进行了记录、梳理与研究。根据各个时期缠足的形态与特点,把缠足的历史时期划分为"纤直的小脚"、"三寸金莲"与"解放脚"三个阶段,同时在此基础上概括出各阶段弓鞋的形态特征,并从其鞋翘、鞋底、鞋帮等主要构成部分论证了弓鞋的变化规律,总结出弓鞋所蕴涵的文化与设计内涵。Combine with the development of feet binding custom, we record and study the form transformation of bow shoes. According to the form and characteristics of feet binding in each period, it is divided into three phases： slim, straight and small feet, three -inch golden lotuses, and liberated feet. In each phase, the bow shoes have different form and features. We study the transformation law from the main part of shoes, and sum up the cultural and design connotation of bow shoes.

关 键 词：设计艺术 民俗文化 缠足 弓鞋 装饰纹样 文化特征 流变 

分 类 号：J50[艺术—艺术设计]