在场的生态文学表达——满族作家胡冬林新作《野猪王》解读  

The Expression of Eco-literature in the Field—Illustration of Wild Boar King by Hu Donglin

作　　者：范庆超[1] 

机构地区：[1]长春师范大学文学院,吉林长春130032

出　　处：《西华大学学报（哲学社会科学版）》2013年第6期21-24,共4页Journal of Xihua University(Philosophy & Social Sciences)

基　　金：吉林省社会科学基金项目(项目号:2012B288)

摘　　要：与很多"书斋式"的生态写作不同,《野猪王》是走入现场的。满族作家胡冬林长年累月扎根于长白山,亲身实地寻访那里的动植物,并特别叙写了野猪这一稀有种群在大森林中的生长、繁衍与濒临灭亡,给人以直接而真切的情感震颤与生态启示,是在场性生态写作的典范。胡冬林还能以"长白山作家"的地域文化身份,随时随地将东北文化真切鲜活地融入生态表达之中,充分实现了"文化的在场书写"。Being different from the closet-writing style, the way of Wild Boar King brings us the experience of life in wildness. Hu Donglin, a Manchu writer, has put his roots in the Changpai Mountains for years. The story of Wild Boar King, based on his field observations, describes these rare animals＇ growth, its＇ rise and decline, which presents the jungle life experiences and prompts us to reflect the eco-system. This novel thus can be ranked as a paradigm. Hu, as a writer of Changpai, integrates the vivid Northeastern culture into his works and demonstrates the way of field writing.

关 键 词：满族作家 胡冬林 《野猪王》 在场 生态文学表达 

分 类 号：I207.425[文学—中国文学]