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作 者:余意[1]
机构地区:[1]东莞理工学院中文系
出 处:《文艺理论研究》2013年第5期103-111,共9页Theoretical Studies in Literature and Art
摘 要:复古思潮影响明代文坛颇为深广,词学自然难以置身事外。复古理论将宋代诗歌摒弃于视野之外,而将盛行于宋代的词接续上古以来汉魏六朝的诗歌传统。介入之下,明代词学深入探讨了词之音调、抒情、美学等方面的体性;由于南宋词范型内在地符合宋诗精神,明代词学建立了晚唐五代之于词学如汉魏六朝诗歌之于诗学的谱系模式;具体创作上遵循着"拟议"以求"变化"的路径。复古理论与明代词学之间比较分析的结果是二者存在着同构关系。复古思潮强化明代词学的理论品性,具有积极的意义,是清人继续完备词学理论的基石。The Antiquity - Revival Movement had a profound influence on literature in the Ming Dynasty, which also showed in poetics as the devaluing of poetry written in the Song Dynasty and establishing a direct lineage between the then prevailing Ci - poetry to the ancient poetic tradition of the Han - Wei and Six - Dynasties. Thus, the study of Ci - poetry in Ming Dynasty expanded its scope of exploration into aspects such as the tonal, lyrical and aesthetic qualities in poetry. Due to the inherent affinity between the Ci - poetry in the Southern Song Dynasty and Shi - poetry in the Song Dynasty, the poetics of Ci - poetry in the Ming Dynasty established a poetic lineage that valued the Ci - poetry in the Late Tang and Song Dynasties, a lineage comparable to the poetics of Shi - poetry that valued the Shi - poetry in the Han - Wei and Six Dynasties. In writing practice, a path of innovation through emulation was advocated in writing practice. The paper concludes that a relation of co - construction can be found from the comparative study between the Antiquity - revival movement and the poetics of Ci - poetry in the Ming Dynasty and that the movement had a general positive function for the construction of the poetics of the Ming Dynasty and provided a stepping stone for the perfection of the Ci - poetry theory in the Qing Dynasty.
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