论“大文化、大媒体、大编辑”的理论现状与实践走向  

The Present Situation and Practice of the Theory of “Big Culture,Media,Editors”

作　　者：张国辉[1] 

机构地区：[1]河南大学新闻与传播学院,河南开封475001

出　　处：《河南大学学报（社会科学版）》2013年第6期142-149,共8页Journal of Henan University(Social Sciences）

基　　金：国家社会科学基金项目"我国编辑学研究60年"(09BXW002)阶段性成果

摘　　要："大文化、大媒体、大编辑"作为编辑学研究领域一种科学有效的引导性理念,改变了学界既有的习惯性思维和研究模式,代表了当今编辑学理论研究的新成就。"大文化"强调的是一种具有历史深度和空间广度的文化视域;"大媒体"指的是信息和互联网技术飞速发展引领下的媒介融合趋势;"大编辑"则是具有"大文化"视野和"大媒体"技能,理论基础扎实,实践能力突出的新型当代编辑。它的提出顺应了文化产业化、信息数字化等现实大趋势,也赋予了文化、媒体、编辑这些既有概念新的内涵,揭示了这几个领域间的深层辩证关系。从这一理念的逻辑线索出发,可以预测出相关领域在未来一段时间内将发生的趋势性变化:媒介融合的进一步深入,信息服务在功能、取向、质量等方面的全新转折。As a scientific and effective leading concept in the editing science field, the ＂big culture, media, editors＂ theory changed the existing habitual thinking and research model. It represents the new achievements of the current theoretical research. The ＂big culture＂ is a kind of cultural horizon which emphasizes the historical depth and breadth of space. The ＂big media＂ refers to the trend of the rapid development of information and Internet technology which leads the media convergence. The ＂big editors＂ are new contemporary editors who have a ＂big culture＂ vision and ＂big media＂ skills. They have a solid theoretical foundation and outstanding practical ability. It conforms to reality： cultural industrialization, information digitization and so on. It also credits to the new meanings of existing concepts, such as culture, media, and editors. It paid to the existing concepts ＂big culture, big media, big editing＂ the new meaning. It reveals the deep dialectical relations of these areas. We can predict the trend change of related areas in the future for a period of time from this concept of logic clue： the further media convergence, and the new turning point in the information service of features, orientation, quality, etc.

关 键 词：大文化 大媒体 大编辑 编辑学理论研究 媒介融合 信息服务 

分 类 号：G237.4[文化科学]