论王昶词学理论的新变及其影响  

On the Change and Influence of Wang Chang's Poetry( Ci) Theory

作　　者：李庆霞[1] 

机构地区：[1]合肥学院中国语言文学系,合肥230601

出　　处：《合肥学院学报（社会科学版）》2013年第6期41-45,共5页Journal of Hefei University:Social Sciences

基　　金：合肥学院2012年度人才科研基金项目(12RC13)"‘浙派’中期词与康乾盛世文学"研究成果

摘　　要：乾隆中后期,王昶将"格调派"诗歌理论融入"浙派"词学理论当中,强调词的"醇雅"风格,淡化朱彝尊、厉鹗词学中的"骚雅"精神;强调人品对词品的影响,淡化遭际境遇对词人创作的影响。他的理论,体现了"温柔敦厚"的诗教传统和审美情趣,偏离了厉鹗词学抒写寒士悲情的基本特色,将"浙派"词学带到更加注重形式的道路上,是"浙西词派"走向衰落的重要标志。In mid and late term of Qianlong Emperor, Wang Chang integrated the theory of Style School into the theory of Zhexi School. He emphasized “elegance” style in poetry （Ci）, while introduced“resentment” spirit advocated by Zhu Yizun and Li’ E;he emphasized influence of character to style of works, while introduced influence of misfortune circumstances to poets’ creation. His theory, reflected tradition and interest of “gentle teaching”, but deviated the basic characteristics advocated by Li E that Ci-poem would express the poor scholar’s sadness. This theory, led Zhexi School poetry （ Ci） onto the road of paying more attention to form, which was an important symbol of decline.

关 键 词：王昶 厉鹗 “浙派”词学理论 衰落 

分 类 号：I207.23[文学—中国文学]