主体性的困境:近代启蒙美学理论批判  

On The Plight of Subjectivity: Criticism of Modern Enlightenment Aesthetics

作　　者：韩志伟[1] 郝继松[1] 

机构地区：[1]吉林大学哲学基础理论研究中心暨哲学社会学院,长春130012

出　　处：《晋阳学刊》2013年第6期61-67,共7页Academic Journal of Jinyang

基　　金：教育部人文社会科学规划基金项目"西方历史理论视野中的历史唯物主义研究"(项目编号:12YJA720007)阶段性成果

摘　　要：近代启蒙美学是一种主体性美学。理性主义美学、经验主义美学和直觉主义美学是近代主体性美学的主要样态。三种美学理论面对着一个共同的困境:独立于对象世界之外的主体如何通达对象领域?因此,通过分析近代启蒙美学的主体性困境,揭示出只有扬弃近代的主体性概念,建立一种以存在的境遇为前提和根基,以参与的意识为主要特征,以感性的活动为普遍性和现实性依据的有限主体性美学才是出路。Modem Enlightenment Aesthetues is Subjective Aesthetics. Rationalist aesthetics, empirical aesthetics and intuition aesthetics are the main forms of modem subjectivity aesthetics.They face a common plight that is how body outside of the world is accessible to target areas.By analyzing the plight of Modem Enlightenment Aesthetics,there isone way that subaltrrn the concept of modem subjectivity and establish a limited Subjective Arsthetics.The limited Subjective Aesthetics looks at circumstances to existence as the precondition,and regards consciousness of participatory as the main feature and sensuous activities as the basement of universality and reality.

关 键 词：主体性 存在的境遇 参与的意识 感性的活动 

分 类 号：B83-06[哲学宗教—美学]