宗教感与现代性的悖论冲突——《尘埃落定》叙事视角分析  

Paradoxical Conflict of Religionality and Modernity——Analysis of Narrative Perspective of Dust Has Fallen

作　　者：林瑞艳[1,2] 

机构地区：[1]福建师范大学文学院 [2]福建体育职业技术学院,福建福州350008

出　　处：《西北民族大学学报（哲学社会科学版）》2013年第6期144-148,共5页Journal of Northwest Minzu University(Philosophy and Social Sciences)

基　　金：福建省中青年教师教育科研项目(编号:JA13457S)的阶段性成果

摘　　要：《尘埃落定》选择了麦其家的傻子二少爷为叙事视角展开叙述,但在实际的行文中我们发现,这个傻子实际上是作为一种修辞策略,而并不具备傻子叙事的典型特点。作为叙述者的"傻子"具有全知全能叙事的特点,能知晓超越的时间、空间,并能通晓人的内心。傻子话语还具有多重性,他的话语表现为对话性质。傻子视角的神秘性和宿命性实则是藏族佛苯结合宗教传统的影响,而多重性又体现出现代性对民族文化的入侵。Dust Has Fallen chooses the second young master, a fool, as the narrative perspective. Actually, the fool qualifies as a rhetoric strategy and does not have all the typical features of a fool＇s narration. As the narrator, the fool is omnipotent, he knows super time and space, and can read others＇ mind. This fool＇s words are multiplicity, and have features of dialogues. The mystery and determinism of the fool＇s perspective are actually due to the integrated influence of the Buddhism, Bon and religious tradition, and the multiplicity also shows the invasion of modernity into ethnic culture.

关 键 词：《尘埃落定》 傻子视角 全知叙事 宗教传统 现代性 

分 类 号：I207.99[文学—中国文学]