藏族“八瑞相”壁画的文化阐释  

The Cultural Explanation of the Tibentan Mural of "Eight Lucky Images"

作　　者：贾蔓[1] 汪孙英 

机构地区：[1]云南师范大学文学院,昆明650500

出　　处：《大理学院学报（综合版）》2013年第11期17-20,共4页Journal of Dali University

基　　金：云南省哲学社会科学规划课题(YB2012067)

摘　　要：藏传佛教艺术中,绘画艺术倍受青睐,其中"八瑞相"具有浓郁的宗教色彩和鲜明的民族特点,并且象征性很强,文化审美内涵丰富,成为反映藏族人民风俗习惯、吉祥愿望的一种独特的艺术门类,从古至今深受藏民的喜爱。主要介绍迪庆藏族传统壁画"八瑞相"的渊源、文化内涵及这种文化的传承与发展。The painting art has gained great admiration in the Tibetan Buddhism. With rich religious colors, distinct ethnic characteristics, strong symbolic meanings and abundant aesthetic connotations, the＂eight lucky images＂, which belongs to the buddhist painting culture, has become a unique art category used to reflect the Tibetan people＇s costumes and their auspicious wishes, and it has been deeply loved by these people for a very long time. This paper mainly introduces the origin of the＂eight lucky images＂in the traditional Tibetan mural culture of Diqing, its cultural connotation as well as its inheritance and development.

关 键 词：民族文化 八瑞相 吉祥结 

分 类 号：K879.41[历史地理—考古学及博物馆学]