“玩偶”被“娜拉”:一个启蒙时代的人造神话  

“A Doll” Being “Nora”:an Artificial Myth in the Age of Enlightenment

作　　者：宋剑华[1] 

机构地区：[1]暨南大学中文系

出　　处：《南开学报（哲学社会科学版）》2013年第6期102-111,共10页Nankai Journal:Philosophy,Literature and Social Science Edition

基　　金：国家社会科学基金后期资助项目(13FZW044)

摘　　要："娜拉"是中国现代女性解放运动的一面旗子,同时也是中国现代文学新女性形象的一个象征。男性启蒙者试图以易卜生的《玩偶之家》,去唤起中国女性自我解放的现代意识;但新女性作家却以自身经历的"情殇"叙事,去反向地陈诉她们"被娜拉"而实为"玩偶"的尴尬境遇。新女性与启蒙者这种相互矛盾的对立情绪,最终消解了"娜拉"在中国的人造神话。＂Nora＂ is a flag in Chinese modem women＇s liberation movement and a symbol of new image of women in the Chinese modem literature. Male enlightenment attempted to arouse the Chinese women＇s self- liberation modern consciousness by Ibsen＇s A Doll＇s House ; however, the new female writers described their embarrassing situation by reverse statements regarded as ＂Nora＂ but indeed ＂a doll＂ by their own experience of the ＂Love War＂ narrative. This conflicting antagonism between the female writers and the new enlightenment shattered ultimately artificial ＂Nora＂ myth in China.

关 键 词：“玩偶” “娜拉” 启蒙 神话 

分 类 号：I206.6[文学—中国文学] I533.073