天然雕饰尽 清水芙蓉出——试论六朝诗坛“清”的流变及其诗学意义  

On the Development of“Qing”style in the Six-Dynasties Poems and Its Stylistics Meaning

作　　者：白崇[1] 

机构地区：[1]广东技术师范学院中文系,广东广州510665

出　　处：《中国文学研究》2013年第4期64-66,共3页Research of Chinese Literature

基　　金：广东省哲学社会科学规划项目"六朝文学演进中的正变问题研究"(GD12XZW02)的阶段性成果

摘　　要："清"是六朝诗歌的重要风格范畴,其内涵在建安、太康时期主要表现为简洁流畅。东晋以后,受到玄风、山水文学、声律探索的影响",清"的内涵具有了新奇、淡雅、流丽、境界圆融、声韵和谐等要素。伴随着内涵的丰富,"清"在诗歌领域则经历了从不被广泛认可到影响逐渐扩大,再到流行于诗坛的过程,为诗坛带来了区别于雅丽繁密诗风的另一种艺术趋向。这种变化,展示了六朝诗歌风格发展的内在过程。As the important style category in Six-Dynasty poems, the main connotations of ＂Qing＂ is terseness and fluency in the periods of Jian＇an and Taikang. After DongJin Dynasty, under the influence of the metaphysics style, the landscape literature, and the tonality exploration, the connotations of ＂Qing＂ has the essence of novelty, elegance, fluency and magnificence, fully developed aes- thetic state, tonality harmony, and so on. With the enriching of its connotations, ＂Qing＂ went through the process from not being widely accepted to slowly enlarging, and then to being popular in the poems. ＂Qing＂ led to another art trend different from the poetry style of elegance, magnificence and denseness. This change showed the inner process of the development about poem styles in Six-Dy- nasties.

关 键 词：清 六朝诗坛 内涵 境界 

分 类 号：I207.2[文学—中国文学]