文学生产范式的变迁与文学的边界——基于对本雅明、伊格尔顿的文学生产论考察  

On Paradigm Evolvement of Literary Production and the Boundary of Literature:Based on the Study of Literary Production about Benjamin and Eagleton

作　　者：蒋继华[1,2] 

机构地区：[1]盐城工学院人文学院,江苏盐城224051 [2]扬州大学文学院,江苏扬州225002

出　　处：《临沂大学学报》2013年第6期97-100,共4页Journal of Linyi University

基　　金：江苏省教育厅高校哲学社会科学研究基金资助项目(2012SJB750012);江苏省普通高校研究生科研创新计划资助项目(CXZZ13_0883)

摘　　要：20世纪西方马克思主义理论家以不同路径和方式继承了马克思的艺术生产理论,其中本雅明技术决定的艺术生产论改变了文学艺术的构成方式及其与大众的关系,为现代艺术发展指明了一个目标,即如何处理文学与图像的关系;伊格尔顿的意识形态生产论体现出对文化现实和政治处境的关注,预示着有界的文学向无边的文化推进。从"机械复制时代的艺术生产"到文化的"政治实践"变迁所引起的文学媒介化与文学边界的移动反映了传统文学的惯例、规则遭遇的解构。The westem Marxist theorists inherit Marx＇s artistic production theory in different routes and modes in the 20th century. Benjamin＇s artistic production theory of technology decisions changed the form of literature and art and its relationship with the masses, but also indicated that a target for the development of modem art is how to deal with literature and image. Eagleton＇s ideological production theory reflected on the cultural reality and political situation attention, herald a literary boundless cultural advancement. Literature media and literary boundary movement reflect the deconstruction of traditional literary conventions,rules as a result of from the ＂artistic production in the age of mechanical reproduction＂ to ＂political practice of culture＂.

关 键 词：文学生产范式 文学的边界 本雅明 伊格尔顿 

分 类 号：I0[文学—文学理论]