梁陈赋韵诗探论  

The research on Liang and Chen Fu yun poetry

作　　者：毛振华[1] 

机构地区：[1]浙江外国语学院中国语言文化学院,浙江杭州310012

出　　处：《北方论丛》2013年第6期30-33,共4页The Northern Forum

基　　金：浙江省高校优秀青年教师资助计划项目"侯景之乱与南北朝文学走向研究"阶段性成果

摘　　要：赋韵作诗是梁陈文人雅聚的主要创作方式。赋韵作诗有限韵分赋与分韵分赋作诗者,限韵分赋作诗多是限韵不限字,有相对自由发挥的空间;分韵分赋作诗则根据参与者的多少规定韵数,限韵又限字,依次作诗,程序要求严苛。这种"群相切磋"的作诗方式极大地活跃了梁陈时期的诗歌创作,客观上促使诗人讲究形式美,在善于藻饰、工于写景等方面下工夫,促进了梁陈诗歌的格律化进程。Fu Yun poetry is the main way of creating the Liang and Chen literati gatherings. Fu Yun poetry rhyme points to limited Yun assigned to write poems, rhymes assigned rhymer is limit does not limit the word, relatively free play space; Yun assigned poetry is according to how much a certain amount of participants, rhymes and the word limit, in poetry, the program more stringent requirements. This group of discussions poetry style greatly enlivened the Liang and Chen poetry creation, objectively promote poets pay attention to the beauty of form, in the good, to work in describing aspects, to a certain extent, promoted the process of Liang and Chen poetry.

关 键 词：梁陈 赋韵 限韵 南朝文学 

分 类 号：I207.22[文学—中国文学]