试论手机文学的特点  

On Features of Mobile Literature

作　　者：邓文华[1] 

机构地区：[1]南昌航空大学文法学院,江西南昌330063

出　　处：《井冈山大学学报（社会科学版）》2013年第6期109-113,共5页Journal of Jinggangshan University(Social Sciences)

基　　金：江西省高校人文社科项目"文化产业视野下的手机文学研究"(项目编号:ZGW1019)

摘　　要：自2000年日本诞生全球首部手机小说《深爱》以来,手机文学就逐渐成为学界关注的一个热点。纵观现有手机文学研究成果,可以发现人们在总结和概括手机文学特点的时候显得有点随意和混乱。究其原因,一方面是因为手机文学出现的时间不长,另一方面是因为整体性视野的缺乏。从文学要素的角度来看,手机文学具有创作主体和接受主体年轻化,其文本具有超强的开放性和互动性等特点。Since the emergence of first mobile novel, Deep Love,in 2000, mobile literature has been a hotspot of literary studies. But a review of the study achievements finds that peoples＇ summaries of the literature＇s features are somewhat random and chaotic. Reasons for the situation include the short history of the genre on the one hand, and the lack of global horizon on the other. In perspective of its literary elements, mobile literature is characterized in young subjects of writing and reading and very strong openness and interactive texts.

关 键 词：整体性 手机文学 特点 

分 类 号：I206.7[文学—中国文学]