梁鼓角横吹曲多为北方民歌原因探微  

Exploring the Reason Why Most of the Words of Songs Dubbed With Military Drums and Horns in Liang Dynasty Are Folk Songs of North

作　　者：华建铭[1] 汤璟 

机构地区：[1]常州纺织服装职业技术学院创意与艺术设计学院,江苏常州213004 [2]常州纺织服装职业技术学院人事处,江苏常州213004

出　　处：《江苏技术师范学院学报》2013年第5期42-46,共5页Journal of Jiangsu Teachers University of Technology

摘　　要：《乐府诗集》收"梁鼓角横吹曲辞",六十六曲多为北方少数民族民歌,但这些民歌"何以进入南朝乐府"、"为何只见于梁而非东晋、宋、齐三朝乐府"则是两个值得探讨的问题。以历史学和社会学的角度,结合文献钩沉,从释名、曲辞存佚新造情形、东晋南北朝时南北政权及民间交往、萧梁时期南朝的政治文化生态等方面进行了具体的考察分析,并认为南北持续的民族交流、萧梁一代特有的人文条件、礼乐文化的政治需要,最终成就了梁乐府在"鼓角横吹曲"中大量收入北方民歌。The Collection of Yue-fu Poems preserves ＂the words of songs dubbed with military drums and horns collected by the Yue-fu of Liang Dynasty＂, and most of them tend to be folk songs of national minority in North. However, there exist two problems to be considered. One is ＂Why were these folk songs preserved in the South Dynasty Yue-fu＂. The other is ＂Why did these songs not appear in the Yue-fu of the Dong-jin, Song and Qi Dynasty, but in the Liang Dynasty Yue-fu＂. From the aspects of history and intellectual sociology, this paper attempts to explore the reasons of the two problems on the basis of researching historical documents associating with the method of logical reasoning. The paper reviews and summarizes the reasons including ＂the lasting national exchange between governments＂, ＂the unique cultural condition of Liang Dynasty＂ and ＂the political appeal hidden in the ritual and music culture＂.

关 键 词：梁鼓角横吹曲辞 北方民歌 乐府 

分 类 号：I276.2[文学—中国文学]