困境与重建:道德与审美关系的当代阐释  

Dilemma and Reconstruction: the Contemporary Interpretation of Relationship between Morality and Aesthetics

作　　者：丁筑兰[1,2] 

机构地区：[1]中国社会科学院文学研究所,北京100732 [2]贵州大学人文学院,贵州贵阳550025

出　　处：《南昌大学学报（人文社会科学版）》2013年第6期24-28,共5页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：国家社会科学项目"审美文化的定位与理论"(06BZX067)

摘　　要：现代科技和消费经济使传统道德规范在当代遇到了挑战,怎样重新传播与时代要求相呼应的道德是当代的一个重要问题。当代审美文化在消解传统道德的同时,也建立起一种内核为后现代伦理的新兴道德形式,使道德理想主义转为审美趣味主义、道德主体换成欲望主体,随着生活的泛审美化,伦理生活也审美化了。我们可以把当代审美文化作为一个平台,利用其普泛性、大众性把多元化的道德价值取向广为传播,从而重建一种新型的符合时代需要的道德观。Traditional morality encounters the challenging coming from modem science and consumption econo- my. The solution for reconstruction of morality which satisfies the needs for communication and times is the vital problem of the day. One new type of morality based on postmodernism ethics is built by contemporary aesthetic cul- ture while sapping traditional morality, and it converts the moral idealism into aesthetic realism, and the core of mo- rality is also changed into desire. Ethical life is put into aesthetic when ＇ aestheticization of everyday life＇ comes into being. Contemporary aesthetic culture ean be setup as one platform for spreading and diversifying the interest of morality, and rebuild one new type of morality for the times needs.

关 键 词：道德 审美文化 感性 重建 

分 类 号：B82-054.9[哲学宗教—伦理学]