神话音乐循环回归——论《悲悼》叙事艺术的内在张力  

Myth, Music, Circulation, and Recurrence： On the Internal Narrative Tension of Mourning Becomes Electra

作　　者：詹虎[1] 赵学斌[1] 

机构地区：[1]乐山师范学院文学与新闻学院

出　　处：《多元文化与多种视点的交汇》2013年第1期131-135,共5页

摘　　要：奥尼尔戏剧《悲悼》借用了古希腊悲剧作家埃斯库罗斯《俄瑞斯忒亚》三部曲的基本故事框架，从而在寓意上达到某种深刻的互文性效果。神话、音乐、循环三种叙述技巧相互融合，使该剧既映射了古希腊悲剧《俄瑞斯忒亚》复仇式神话的古老意蕴，又体现出这部现代悲剧深邃的诗意与内在张力。Eugene O＇Neill Mourning Becomes Electra imitated the basic story framework of the ancient Greek tragedian Aeschylus＇ s Oresteia trilogy, and achieved certain profound intertextual effects.There are three narrative skills mixed among myth, music and circulation, which make the tragedy not only reflect the classical revenge tragedic implication of Oresteia, but also embody itself the profound poetics and Internal Tension.

关 键 词：神话 音乐 循环 回归 

分 类 号：I712.073[文学—其他各国文学]