诗歌象似机制的多维建构——以《雪夜林边驻足》为例  

A Multi-level Construction of Iconic Mechanism in Poetry Instantiated by ＂Stopping by Woods on a Snowy Evening＂

作　　者：温金海[1] 张家荣[2] 

机构地区：[1]南京财经大学外国语学院 [2]哈尔滨商业大学外国语学院

出　　处：《多元文化与多种视点的交汇》2013年第1期315-318,共4页

基　　金：本研究得到江苏省政府留学奖学金资助.

摘　　要：诗歌语言中通常充满着语音象似性，但从《雪夜林边驻足》（以下简称“《雪》”）中我们读到多种象似性的即兴挥发与应用，比如，语音象似、顺序象似、距离象似、重复象似（或称“标记象似”）和隐喻象似等，可以说是象似性的层级性再现。由此推而广之，象似性与任意性之辩应当建立在下列关系之上才对，即任意性只是本体论上的抽象压缩，而象似性才是方法论上的拟象延伸，作用于语言的各个层面。在这样的一个情势下，绝对任意性逐渐减弱到相对任意性的说法不如改为象似性的连续延伸直至非象似性。More often than not, the poetic lining is rife with phonetic iconicity, while from the illustration of＂ Stopping by Woods on a Snowy Evening＂ we are able to fred the unrehearsed employment and sublimation of various versions iconicity, for example, phonetic, sequential, approximate, repetitive （ or marked）, and metaphorical tokens of iconicity, which might well be ranked as a reincarnation of multi-layers built in iconicity. Ensuing from this, we maintain that the relationship between arbitrariness and iconicity be based upon the argument that the former results from the ontological abstraction in itself; the latter, of its methodological extension which is operated upon all levels of linguistic analysis. Thus the gradual reduction of absolute arbitrariness to a more relative form had better be rewritten as he successive extension of iconicity until to its loss.

关 键 词：《雪夜林边驻足》象似性 听觉象似性 关系象似性 隐喻象似性 

分 类 号：H0[语言文字—语言学]