20世纪末台湾文学中“疯女人”形象的思想意蕴  

Ideological Implications in Images of Mad Women in Taiwan Literature of Late 20th Century

作　　者：吴春兰[1] 洪芳芳[1] 

机构地区：[1]泉州师范学院,福建泉州362000

出　　处：《龙岩学院学报》2013年第6期102-108,共7页Journal of Longyan University

摘　　要：20世纪80、90年代台湾女性主义文学作品塑造的众多"疯女人"形象,是现实生活中普遍存在的受害女性的典型代表。通过展示这些女性形象的悲剧命运,作品深刻地揭露了男权社会的残酷压迫,以及传统文化观念对女性的戕害,从而唤醒女性的强烈反抗意识,使其自觉勇敢地追求自身的主体地位,明确女性的解放不该只依靠个人的力量,而是要充分发挥集体的战斗力,共同摆脱来自历史、文化等各方面因袭的束缚,争取合理的地位。In the 1980s and 1990s many ＂mad women＂ images were created in Taiwan feminist literature, who were the typical female victims in real life. By showing the tragic fate of these women, the literary work exposes profoundly the cruel oppression of the patriarchal society, and the harm to women from the traditional cultural ideas so as to awaken the consciousness of women＂ s strong resistance, to pursue their own dominant position. The liberation of women should not only rely on individual strength, but on their collective force in order to get rid of the restrictions from the history, culture and other aspects and to obtain their equal positions.

关 键 词：疯女人 男权制 传统文化 批判 女性主义 台湾文学 

分 类 号：I206.7[文学—中国文学]