形式与观念——阿波利奈尔艺术思想简述  

Forms and Ideas:Analysis of Apollinaire's Art Conception

作　　者：金鹏[1,2] 

机构地区：[1]武汉理工大学,武汉430070 [2]河南财政税务高等专科学校,郑州451464

出　　处：《设计艺术研究》2013年第6期94-97,124,共5页Design Research

摘　　要：阿波利奈尔是为"立体主义"风格辩护的重要艺术理论家,然而他的理论却长期被人忽视。因此,在厘清塞尚对立体主义艺术观念为启发的基础上,阐述了阿波利奈尔对"立体主义"风格的确立与观念要求,进而探讨了他是如何从塞尚的观念之中剥离出来、发展成为独立的艺术风格的有关历程。通过对阿波利奈尔和"立体主义"理论的介绍,探讨西方现代艺术对形象的扬弃和剥离的过程,不难看出,阿波利奈尔的理论是西方艺术转向的一大关捩,影响着抽象艺术观念的生成。Apollinaire is an important art theorist on ＂Cubist＂ style, but his theory has been neglected for a long time. This paper aims to clarify the function of Cezanne inspired to Cubism art conception, elaborates establishment and concepts of ＂Cubism＂ from Apollinaire, and how the ＂Cubism＂ grew out of Cezanne to become an independent style. By the analysis of Apollinaire and ＂Cubism＂ theory, and the approach of western modern art discarding the visual image, it is obvious that Apollinaire＇s theory is an important key to the western art, and makes great contribution to the birth of abstract art conception.

关 键 词：塞尚 立体主义 情感表现 浪漫型艺术 纯粹的形式 

分 类 号：J05[艺术—艺术理论]