经典改写与文化政治——以《福》对《鲁滨逊飘流记》的改写为例  

Rewriting of Classics and Cultural Politics——The Rewriting of Robinson Crusoe into Foe as an Example

作　　者：吴加才[1] 

机构地区：[1]盐城工学院人文学院,江苏盐城224051

出　　处：《江苏教育学院学报（社会科学版）》2013年第5期38-40,141,共3页Journal of Jiangsu Institute of Education(Social Science)

基　　金：江苏省教育厅2012年度高校哲学社会科学研究基金资助项目"文学生产范式的变迁与文学的边界问题研究"(项目编号:2012SJB750012)

摘　　要：经典的形成绝不是孤立的文化现象,而是一个排他性的建构过程。在后殖民那里,经典带有深刻的历史情结和文化印痕,有着与帝国主义意识形态、文化权力纠缠不清的霸权、殖民意识,对其进行改写就成为一种必然。后殖民作家通过改写西方经典来解构其霸权地位,其中库切《福》对笛福作品《鲁滨逊飘流记》的重写彰显了消解西方文化霸权的策略,体现出强烈的文化政治诉求。The formation of classics is not an isolated cultural phenomenon,but an exclusive construction process. In the post-colonial era,the classics bear profound historical complex and cultural imprint which are closely related to the imperialist ideology and culture power,and therefore it is of great necessity to rewrite those western classics so as to deconstruct the hegemony. For example,the rewriting of Robinson Crusoe into Foe highlights the strategy of dispelling western cultural hegemony,which reflects the strong cultural and political appeals.

关 键 词：后殖民 经典改写 《福》 

分 类 号：I106.4[文学—世界文学]